Here we see that we’ve flattened out into a bit more of a bell curve rather than that middle-finger looking thing from 2017, with the four-chord song still being the norm. Panic! at the Disco threw some jazzy borrowed and secondary chords our way and pushed the collective envelope one column further than 2017, with an all-out eight-chorder.
To me, this is the real reason to do a cassette — all the incredible DIY options and customizable pieces. When I think of a band doing a DIY cassette, I think of them handwriting the album name on the cassette label, I imagine cute doodles on the case, I think of them writing a “To: Fan” “From: Your favorite band X” There are just SO many ways to customize this and put a real DIY feel to it that can skyrocket the connection you make with your fans.
But don’t get too comfortable with that one, here’s perhaps the most well-known melody of the bunch: the first two unique notes of Beethoven’s 5th Symphony. The most classic-est of classic major thirds.
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When it comes to organizing the structure of your song, where and when certain sections come in, and the roles they play as your song develops, there are a few ways to go about this. Some of the most common types of song forms are just variations of verse, pre-chorus, and chorus, with the occasional bridge or solo thrown in, especially in pop music.
This piece also makes use of other “unusual” concert instruments, such as the waterphone, the daxaphone, the log drum, Hapi drum, Ufo drum, and more to convey a sense of music as an alien and unearthly being in and of itself.
Well, you can kiss that source of tour stress goodbye! House shows are more favorable to touring musicians because the hours end up being a lot more friendly and respectful. Since most concert venues and clubs make money serving alcohol, it’s in their best interest to keep the crowds inside their doors for as long as possible. But since most houses have people living in them, shows tend to start around sundown and wrap up just a couple hours later.
When it comes to promoting your music, it’s easy to focus on social media, writing emails to your fans, and exciting album launches. But often, the more subtle elements — like crafting an incredible bio or developing your image — are overlooked or put on the back burner.
Open mics make lofty promises about what they’re able to offer songwriters of all levels. I’m here to tell you that they’re still a waste of your time.
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Whether you’re recording yourself or someone else, you’ll save time in the long run by getting lots and lots of takes. The most obvious reason for this is that musicians typically need a couple of run-throughs to start feeling comfortable and confident. But you also need to give yourself as many options as possible for splicing things together during the editing process, so you don’t have to go back in and record “punch-ins.” Re-recording is a time-waster; recording songs more than once the first time is a life-saver.
Sometimes the bass sounds great merely doubling what is being played on the guitar — and especially when that guitar is being played by Jimmy Page. John Paul Jones actually had tons of bass-hooky songs, but here in “Over the Hills and Far Away,” the bass is a bit subdued throughout most of it — which makes this particular section stand out even more. That section is when Page climbs out of his solo with a three-octave arpeggiated run, and Jones follows alongside with a standard pattern of root-third-fifth-minor seventh across each octave, a mixolydian theme that would sound good in basically any context.
This method might at first seem complicated, but your eyes are quicker than your fingers, so having reference points to refer to all around the guitar fretboard is a great first step towards familiarity.
The bass tone is played by hitting the center of the drum with your open hand. You want to bounce your whole hand against the skin to get that deep, low pitch. Also, by bouncing your hand off the head of the drum, the tones are left to resonate. Start by practicing this bass tone a few times — this is your core.
Music composition, in its most basic sense, is sound and silence organized over time. Producers are creating music just as much as the traditional songwriter, if not more. If you created an original piece of music and it is to be released to Spotify, Apple Music, etc., then you will generate publishing royalties. If you understand your ownership of that release, then you can register your percentage of publishing ownership and collect recurring royalties for the rest of your life.