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If you want your music to touch your audience’s sense of nostalgia, you’ll need to know who your audience is, what they grew up on, and what kinds of sounds bring them comfort and joy. Huh… I guess it isn’t so far off from what Hans Zimmer was talking about after all!

Tyrell N6 is an emulation of the famous Roland Juno 60 polyphonic synthesizer. It features two oscillators, a noise oscillator, a ring modulation, and over 500 presets to choose from. The Tyrell N6 synth comes with chorus, overdrive, and filter feedback on board. This synth also has an oscillator drift feature that emulates the original Roland Juno 60 for a very authentic sound.

Every week, your mentor will send you a specific activity or two intended to get you closer to your stated goal for the course. These activities are designed to be practical and push you to use your new skills right away.

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Although I loved being a DJ, I wanted to go beyond the playing and really understand how music worked. When I turned 18, I had the opportunity to move to Madrid and study Sound Engineering and Production. Although very insightful, it still wasn’t enough — I was hungry for knowledge and wanted to understand how a DJ could connect with an audience, so I delved into the world of Musicology to understand how music affects and influences our brain.

For many artists, finding their ideal fan and learning to cultivate that relationship in a way that’s authentic can feel a little overwhelming. While there are many ways to do this, some of which we’ve outlined in past articles, today we wanted to explore a tool that has made fan growth a priority for the last decade or so via analytics and industry-wide insights — enter, Next Big Sound.

My sister is a TV comedy writer, and she once told me all she wants to do when she gets home is watch CSI or some other dark, dramatic show — because all she does all day is write jokes! I’ve noticed a similar pattern (have you?). When I’m done with a long string of shows, all I want to do is listen to nothing. But I found a loophole for this: Listen to the stuff you listened to as a teenager or when you first started getting into music. For me that’s ’90s R&B and neo-soul. Give me Ms. Lauryn Hill or Destiny’s Child and I’m instantly transported to a happy place, where I can dance around like a dummy and not care about anything.

Live at the Apollo, 1962 opens with Fats Gonder, the emcee of the evening, addressing the Harlem, New York crowd. He says, “So now, ladies and gentlemen, it is Star Time. Are you ready for Star Time?!” He then rattles off a list of Brown’s hits to further bolster the frontman’s larger-than-life persona. After a brief instrumental, the band launches into “I’ll Go Crazy,” which sets the tone for the evening. The band is inhumanly tight and every musician is an absolute slayer on their instrument. I’ll remind you that this was a Wednesday night.

Find out once and for all how streaming and sales royalties work — and how to get the money you deserve — in Soundfly’s free course with Ari Herstand, How to Get All the Royalties You Never Knew Existed. 

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All of our mentored online courses come with six weeks of 1-on-1 professional support and feedback on your work. It’s like having a personal trainer, but for music! That means you’re not just getting the course content, but a coach to bounce ideas off of and someone invested in your success. Check out The Art of Hip-Hop Production, Modern Pop Vocal Production, and Songwriting for Producers.

Soundfly partners with leading edge music education sites and services to bring you unique tips, tools, and stories to empower and inspire our community to find their sound.

Whether you’re drafting demos for your next album, producing a 30-second spot for a video or beats for an electronic project, or actually tracking an entire album with your band in your living room, combining the comfort of your domestic space with business-like workflow habits and studio quality gear can lead to great results — so long as you don’t fall through one of the many trap doors inherent to this way of working.

Using NYU MusEDLab’s embedded aQWERTYon widget here, or by joining our free Theory for Producers: The White Keys and Major Modes course and playing along to several other songs in different keys and modes, you can play along to “Under Pressure” directly in your browser! See if you can follow along with the chord changes, nail that classic bass line, or simply fuss around in the key of D Major.

We’ve been bootstrapping since day one, so it’s too soon to tell — but we are growing our team by 200% in the next year, so company culture is already on my mind. Everyone that joins our team is a music lover, but more importantly, we look for people that are passionate about what we’re doing and want to achieve amazing things. I’m a firm believer in transparency and honesty as key ingredients to building a trusting and productive environment where team members can really feel comfortable to take risks and come up with new and innovative ways to address the problem we’re solving.