Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.
In this edition of “Talking Points,” composers and electronic artists Ryuichi Sakamoto and Alva Noto discuss the nature of collaboration and improvisation.
Funnily enough, the biggest breakthrough came with our approach. We are dealing with music here, not 1s and 0s, so we made the early decision to not trust the data. We engineered the user experience and worked our way back to the data. When we were faced with a problem, we looked at music theory and DJing to solve the user experience rather than rely on what the data was telling us.
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Let’s try a different strategy. I said you should tune the B string a major third above G, but you could just as easily tune the B string a fifth plus an octave above the low E string. So let’s go ahead and multiply 1 Hz by 3/2, and then double it, which gives you a B at 3 Hz. Now the B string sounds terrific against the low E at 1 Hz and the high E at 4 Hz.
Hunter Farris runs the Song Appeal podcast, which focuses on the psychology behind why we like the music we like. His podcast on music theory and music psychology has appealed broadly enough for Hunter to speak at Comic-Con 2018, and is instructive enough to be used as homework by a music theory professor. He currently teaches people to play piano by ear and make their own arrangements of other people’s music.
Need help on a specific project that doesn’t quite fit within one of our online courses? Work with a Soundfly Mentor one-on-one to create a custom one-month Learning Plan specifically tailored to your needs and goals through our newly revamped Headliners Club program.
In a song known for its supremely catchy guitar riff (what else is new?), this is Hamilton’s moment of rising up to say, “Hey, don’t forget about the bass… it’s flashy, too!” The high run works particularly well juxtaposed against the lower notes he’s played up to that point in that section (which is basically the same riff as in the verses). Specifically, the vamping on C, then dropping down to the open E and walking up chromatically to the fifth below it (G), makes the shooting up to the next octave C and climbing up to the E above it sound really great together.
Open mics make lofty promises about what they’re able to offer songwriters of all levels. I’m here to tell you that they’re still a waste of your time.
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Focus: Further develop production abilities in the trap style.
Looking to build confidence and muscle memory when playing the guitar? Look no further! These practice tips will help you gain dexterity and fluidity fast.
(Don’t worry guys) I listened to the radio instead, so Puppy could have his playlist) But now, when I know I’ll be using Spotify, it’s YouTube playlists all the way.
You’ll probably be asked to stick to a short set time of between 20 and 30 minutes. Create a tight set of songs that showcases your music and creates some kind of momentum, and don’t play covers unless you’ve specifically cleared it with the venue. Some music venues aren’t legally set up for their bands to perform covers.
Music composition, in its most basic sense, is sound and silence organized over time. Producers are creating music just as much as the traditional songwriter, if not more. If you created an original piece of music and it is to be released to Spotify, Apple Music, etc., then you will generate publishing royalties. If you understand your ownership of that release, then you can register your percentage of publishing ownership and collect recurring royalties for the rest of your life.