Remember, you can break words up with a motif, like in “Somewhere Over the Rainbow.” “Some-where” gets split in half by an octave because the songwriter wanted to really draw our attention to the idea of longing for this magical place, reaching up to the next octave like it’s up in the sky.
Also, as our♭II chord types were technically diatonic (aka “regular”) to the Phrygian mode, our non-borrowed-or-secondary weirdo-chords this year were the viis (when it was once a ii/V/♭VI and once diatonic to Lydian) and also a I+ (augmented).
Some equalizers excel at adding a powerful bottom end to hip-hop vocals, others are great for adding mid-range bite to rock tracks, and some are best for boosting the highs to create a brilliant top end on pop productions. Try a few options and see which EQ works best for your particular song.
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All of our mentored online courses come with six weeks of 1-on-1 professional support and feedback on your work. It’s like having a personal trainer, but for music! That means you’re not just getting the course content, but a coach to bounce ideas off of and someone invested in your success. Check out our courses such as Songwriting for Producers, Beat Making in Ableton Live, and of course The Art of Hip-Hop Production, and preview any or all for free!
The eleventh edition of our student work sharing series, this one’s a summer blockbuster jam. Get ready to add some new tracks to your favorite playlist!
We are only able to produce sound due to our vocal folds coming together and making very fast vibrations — hundreds of times per second! And the tempo of these vibrations are determined by the pitch we’re singing. For lower pitches, slower vibrations occur, and for higher pitches, faster vibrations take place.
SESAC does not list its collection sources on its website like the other two PROs do. But as one of the three main competing PROs it’s safe to say the organization tracks the same sources of public performance royalty activity as both ASCAP and BMI.
You say that your API could save Spotify and Pandora millions per year. Why is that?
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You might feel like your project is ready to tackle your town’s biggest and hippest venues, but the folks who book talent at those places almost certainly feel otherwise. Venues demand that the acts who frequent their stages bring in lots of people because their business models depend on it. But even if you’re certain you’ll be able to draw huge crowds for your first local shows, you should still look for modest places to play when you’re just starting out.
Here’s one of my favorite on the list! One of Michael Jackson’s most uplifting melodies ever, his lyrical ramp up to the title refrain in “Man in the Mirror,” actually gets a jump start with a downward interval of an enormous major sixth gap! At 1:06, when he sings, “I’m” and “start,” you can hear how energetically it leads into the ascending melody. Top-line composers, take note!
Repetitive dance forms went out of style in the Romantic era, and while they made a comeback in the 20th century, it wasn’t exactly in a predictable, listener-friendly context. Ross says, “But it’s really in jazz, blues, and rock ‘n’ roll where the lamento bass has a surprising revival.”
Saying goodbye to big purchases can be tough. But if it’s not actively contributing to your music, that money might be better spent elsewhere. Think about what you actually need for your workflow.
Outside of the basic major (Ionian) and minor (Aeolian) scale modes, the Dorian mode would be considered by many to be the most important diatonic mode in any improviser’s toolkit.