But, your live setup may also have to do with convenience, especially if you tour consistently and frequently. Famed guitarist and composer Kaki King found that the specificities of a new live set featuring projections mapped to her body and music that heavily relied on electronic processing called for her to simplify her pedalboard setup. She switched to a digital pedalboard and explained to us how and why you can too. And we made a free online course about it! Check that out here if you’re interested.
Will Kuhn suggests that the rhythms of “Clair de Lune” are so weird because Debussy was trying to notate rubato. That sounds plausible to me. It turns out that when you quantize the piece over beats, it sounds very syncopated and hip. Live and learn.